![]() Credits include soundtracks for the Tribeca Film Festival award winning film, "Jack Smith and the Destruction of Atlantis", and the Cannes Festival award winning documentary “Bye-bye, Babushka!” ![]() Other select performance credits include the International Rachmaninov Society Recital in New York City presided by Vladimir Ashkenazy Stefan Weisman's new opera “Darkling” with the American Opera Projects recital for the UN Diplomatic VIP guests of the UN Russian Mission Harvard University donor events, and the tour of France with the New York Opera Society. 38 by S.Rachmaninov with the renown Brahms Trio. She returned to Moscow for more performances at major venues and commercial recording of Song Cycle op. Petersburg for the "Art-November" International Festival, where she reappeared for several years. Fidelia was invited to perform in orchestral and piano solo recital tour of Moscow and St. Tour for PBS Television Special "Romantic Journey" with one of Russia's leading crossover stars Nikolai Baskov numerous appearances for the Metropolitan Opera Guild Carnegie Hall the Kimmel Center in Philadelphia New Israeli Opera in Tel Aviv Centro de Bellas Artes in Puerto-Rico. Petersburg Philharmonic Hall and Moscow International House of Music (Дом Музыки).Īmongst other numerous engagements and venues are: Beacon Theater on Broadway, New York City U.S. Fidelia’s domestic and international engagement highlights include performances with leading Russian musicians at the St. Fidelia is currently embarking on the dramatic Verdian and Verismo Soprano repertoire roles: Amelia (Un Ballo) Elizabetta (Don Carlo) Lady Macbeth (Macbeth) Maddalena /Andrea Chenier (Giordano) La Gioconda (Ponchielli) Adriana Lecouvreur (Cilea) Lisa (Pique Dame), the title role of Turandot (Puccini). Fidelia's recital repertoire is extensive and diverse. A frequent performer at the Carnegie Weil Recital Hall, Ms. Fidelia’s operatic repertoire includes the roles of Verdi’s Leonora in La Forza del Destino and Il Trovatore Mascagni’s Santuzza (Cavaleria Rusticana) Tchaikovsky’s Tatyana (Eugene Onegin) Poulenc’s Blanche de la Force (The Dialogues of the Carmelites) Georgetta (Il Tabarro) Mimi in La Boheme as well as the title roles of Puccini’s Suor Angelica, Butterfly and Tosca amongst other. She returned to Caramoor in subsequent seasons to work on the roles of Leonora in Verdi's Il Trovatore, Leonora in La Forza del Destino and appear in numerous concerts. (image: Still from when stillness culminates (2022), interactive installation.Versatile soprano Anya Fidelia made her professional debut at the Caramoor International Festival under the baton of Maestro Will Crutchfield. Playing with recursive processes and speculative rituals, the pieces arrive in formations of plastics, light, and digital technologies to meditate on the racializations of matter and inter-textual modes of being.ĭear Ghost in my Shell which points are we passing pass by reference only please Dear wiring and connections our encodings have too many channels and have started to fray Dear OS update to use new features we are made obsolete our ram is getting slower Dear Major you are enmeshed with the synthetic sentience of the Puppets teach me your navigational practices Dear Minor Dear Method Dear Margaret, have you found your robot yet? Would you help me find mine? Look at my errors at my seams at my torn pixels they might point the wayįidelia Lam is a Canadian multimedia artist and scholar whose work attends to the shared ground of Asian/American diaspora, aesthetics, technology, and urban space through recursive assemblages of code, animation, projection, sound, bodies, and critical inquiry. ![]() The exhibition features new multimedia works that speak to, with, and nearby speculative ancestral figures, drawing on Anne Anlin Cheng’s theory of ornamentalism to create sites for grieving, honoring, and queering modes of synthetic personhood. ![]() grapples with the affective and aesthetic legacies of empire and colonialism as they continue to shape the racial architectures of Asian diasporic femme subjectivities. On view weds-sun 12-6pm, July 23-31 and by appointment.
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